Sunday, August 23, 2020

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Original Title: Surfacing
ISBN: 0385491050 (ISBN13: 9780385491051)
Edition Language: English
Setting: Quebec (Québec)(Canada)
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Surfacing Paperback | Pages: 244 pages
Rating: 3.46 | 20906 Users | 1369 Reviews

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Title:Surfacing
Author:Margaret Atwood
Book Format:Paperback
Book Edition:Deluxe Edition
Pages:Pages: 244 pages
Published:June 1998 by Anchor (first published 1972)
Categories:Fiction. Cultural. Canada. Contemporary. Literary Fiction. Literature. Canadian Literature. Feminism

Interpretation As Books Surfacing

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented... and becoming whole.

Rating Appertaining To Books Surfacing
Ratings: 3.46 From 20906 Users | 1369 Reviews

Critique Appertaining To Books Surfacing
A story of loss and struggle for identity around a remote Canadian lake in the 60s (ish). It starts out slowly and straightforwardly with two couples visiting the remote island cabin that belonged to the narrators missing father. However, it becomes evident (I can hardly say clear) that there is much more going on. There are tensions between and within the couples, the narrators own story is tantalisingly contradictory and its not always clear at first whether shes talking literally or

Read for collegeThe only thing that kept me going is the grade I will get on my assignment for it the sole amount of anger and resentment I felt while reading it.

If you ever happen to walk up to a fresh water lake and see me in it, go find a damn life preserver and toss it in, immediately. There are only two reasons that I'd ever stick one toe in that leech-infested nastiness: I have fallen in and I am drowning, or I'm rescuing another person who is drowning. Either way, we require assistance.Similarly, if you ever happen to walk up and see me with a fishing pole in my hand, you can consider me the Fourth Horseman of the Apocalypse. The day I stick bait

In The Evil Dead these kids go and stay in a remote cabin out in the woods and they release evil spirits that want to kill them etc. In Cabin Fever these kids go and stay in a remote cabin out in the woods and catch a flesh eating disease and die and go mad, etc. In The Cabin in the Woods these kids go and stay in a remote cabin way out in the woods where a zombie army tries to kills them etc. Now these are movies but in Surfacing, which is a book, these kids go and stay in a remote cabin out in

A fascinating early work by Atwood, if perhaps not quite one that hits the heights of the likes of Cat's Eye, Alias Grace and The Blind Assassin.We meet the unnamed narrator travelling north through Quebec in a car with two men and another woman. It transpires that they are two couples, going to investigate the disappearance of her father, who has been living in a remote cabin on a lake island where he has been largely self sufficient. They spend longer than planned on the island, relationships

Ever-insightful Margaret Atwood, who creates flawed and unlikable characters, projects us into their heads and makes us sympathize with them. I have yet to run into an Atwood novel I didn't enjoy, but I also think that this book is not quite the same caliber as some of her later work.A woman goes back to the small Quebec village of her childhood vacation to look for her estranged father, who was reported missing. She doesn't really want to see him, but she needs to know he is safe. She brings

An always thought-provoking, awe-inspiring and disturbing plunge into the depths of Atwood's (early) vision, voice and artistry. Everything and more than I remembered. It reads equally as powerful and mostly as relevant today as it did when I first read it, not so long (these things are relative; I re-read this on my 50th birthday) after it was published in 1972. I feel sorry for readers who find this plotless, obtuse and unfinished. It is nothing short of perfect, in my mind. Atwood probes

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